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It's one of those not-so-rare summer movies that defy critical union. I certainly wouldn't have thought the critics would be so divided over so many little things as they have been over Tim Burton's "Planet of the Apes", the "re-imagined" remake of the
classic '60s sci-fi movie. Most are pretty enthusiastic. Some have too many problems with certain aspects. For a little more detail on this and my review of the movie, please see this issue's This Week's Movie Review.
At the same time, "Jurassic Park III" is far more successful than I would have thought, and again, critics seem to have a tough time figuring out how it fits into the franchise and even if it's a worthy contender to "Apes" as the summer blockbuster break-out of 2001!
2 years ago, "Star Wars: Episode 1--The Phantom Menace", arguably the most-anticipated movie event of all time, caused no end of speculation among critics as to whether this was the best--the worst--or the most lame sequel of all time. That didn't hurt ticket sales.
To me, it seems the problem may be too many movies being made today that are immediately comparable to something else...something that came earlier...something inherently superior. The remake...the sequel...the (gulp) re-imagining (buzzword alert, belated tho it may be now). Not to knock the sometimes excellent efforts
of today's directors, but is it me, or does everything coming out today seem...recycled? It's as if every great movie idea (and TV show) has already been done, so all we can do now is remake them to death! Re-cast them, update the effects, and trot them out for a new generation.
It always is refreshing to see the new kid on the block break ground. In their day "Jaws", "A Nightmare on Elm Street", Friday the 13th", "Terminator"s 1 & 2, "Jurassic Park" and even (gulp) "Star Wars" were breakthrough phenomenon. But how many sequels did it take to run each franchise into the ground? (Well, OK, not Star Wars yet.) To turn each into a cartoon of itself. (Oops...spoke too soon.) One particularly old franchise is grinding out yet another sequel ("Jason X", aka, Friday the 13th, number bazillion) for sometime next year.
The controversial (and awful, in my opinion) ending of Tim Burton's "Planet of the Apes" hints at a sequel. So I guess at this time next year, we'll re-live this year's apes over again...and again...and again.
This is more of a correction than an announcement: When Mike "Deadguy" Scott and I wrote our respective reviews of the premiere episode of "Murder in Small Town X" last week, we both inadvertantly neglected to mention what all the contestants are vying for! Admittedly an important detail. In case you've not heard it elsewhere,
the winner gets $250,000 and a new car: a Jeep Liberty. Also, I wanted to include the real name of the town playing Sunrise: Eastport, Maine.
UPDATE: 8-2-01. I heard from Corey and also from Lisa Zubek (Lisa's Lambast) and according to both, the second episode of "Murder" was much better. Natch, I forgot to tape it. OK, stupid. I'll catch it next week.
"Unbreakable" hate. Plus: Movies and comics worth mentioning.
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1. You must like superhero comics and appreciate what makes them great and why they can never translate properly to the screen. 2. You must have a love for good sriptwriting and editing. 3. You must realize that BRUCE WILLIS really can't act at all and that Sixth Sense was some sort of fluke for him. 4. Know how to recognize a D.C. Vertigo comic gone bad. If you apply to all above, you will happily loathe this film. With respect to Count Poffula. I agree, "Fellowship of the Ring" does look great. (Re: Poff's review of the LOTR movie trailer for PCR #67.---N) But I said you never can tell by looks. Let's not jump the gun. After all, Peter Jackson did direct "Bad Taste" and "Braindead", two great, but purpously schlocky, horror films. But, then again, in his defense, he also made the excellent "Heavenly Creatures".
Now on to Spider-Man. Despite the fact that I hate Marvel characters due to my opinion that they try to appeal to teen readers--even in the '60s--I was hoping Spider-Man might be good. And it might. But, God almighty! That trailer was awful! Literally, the worst trailer I've ever witnessed for a superhero movie! Cheesey action, bad acting, poor directing (reminiscent of an '80s TV show) and bad CGI (when isn't it), don't get me excited. I understand that this is not the finished product, and probably made just for the teaser, but c'mon. Don't put it out if it sucks. It's reason #102 why Hollywood execs should be electroshocked.
Small note on A.I.
I will not see, or even give, this Spielberg-ized trash rip-off, riding on the death of Stanley Kubrick, a chance. It's not Kubrick. Spielberg turned Kubrick's tale of human sterility and empathy vs. a robot's coming to terms with emotions into a Pinnochio crap fest. Thank you. That's all.
Films STORYTELLING---SEPT. 28TH 0R OCTOBER 12TH: TODD SOLODNZ NEW FILM.
BRUISER---OCTOBER 9TH: ROMERO'S LONG-AWAITED FILM SADLY GETS A VIDEO RELEASE ONLY. BUT, MAYBE THAT'S BETTER. NO STUDIO CUTS.
These next two are really the cream-of-the-crop for me. MY ANTI-PEARL HARBOR / JASON X / JURASSIC PARK / A.I. FILMS:
FROM HELL---OCTOBER 19TH: BASED ON ALAN MOORE AND EDDIE CAMPBELL'S COMIC SERIES CONCERNING JACK THE RIPPER.
MULLHOLLAND DRIVE---OCTOBER 12TH: DAVID LYNCH IS BACK; NUFF' SAID. ORIGINAL WAS A T.V. PILOT WITH SCENES ADDED FOR A THEATRICAL RELEASE.
Comics OBERGEIST---IMAGE/TOP COW: AN EX NAZI SCIENTIST IS RESURRECTED AS A ZOMBIE TO ATONE FOR HIS SINS. A NAZI SUPERHERO--WHAT THE HELL MORE NEEDS TO BE SAID.
THE INCAL---HUMANOIDS PUBLISHING: SCI-FI EPIC REPRINTED FROM THE PAGES OF METAL HURLANT. WRITTEN BY UNDERGROUND FILM DIRECTOR ALEJANDRO JODOROWSKY WHOSE FILMS EL TOPO, HOLY MOUNTAIN, SANTA SANGRE ETC., ARE GOD'S GIFTS TO FILM. NOTE: JODOROWSKY IS WORKING ON FILMING A SEQUEL TO "EL TOPO" ENTITLED "ABEL/CAIN", IF HE OBTAINS PROPER FUNDING. KEEP FINGERS CROSSED, KEEP ALL FINGERS CROSSED.
SNAKES AND LADDERS---EDDIE CAMBELL COMICS: FROM THE TEAM OF ALAN MOORE AND E. CAMBELL WHO BROUGHT YOU "FROM HELL". CONCERNS THE CREATION OF EARTH. DUE OUT IN SEPTEMBER.
SOCK MONKEY---DARK HORSE: IMAGINE WINNIE-THE-POOH ON CRACK.
EIGHTBALL---FANTAGRAPHICS: DANIEL CLOWES WITTY GEN-X STYLED HUMOUR WHICH HOUSED THE APPEARANCES OF THE CRITICALLY-ACCLAIMED GRAPHIC NOVELS, GHOSTWORLD AND DAVID BORING.
TO HELL WITH YOU ALL. |
While perusing the 'net last week and mumbling about the current state of movie affairs, I stumbled onto this delicious little entry at E! Online.com. Their critic's poll (or something like that) on the worst movie sequels of all time. SO! I says to myself I says, "This looks like a great PCR challenge!" Following below is their critic's votes for worst sequels. The commentary included is mine, not theirs. My list--and hopefully yours--will be listed in next week's PCR. ---Nolan 10. The Color of Money (1986) Sequel to "The Hustler" starring Paul Newman and Jackie Gleason, the sequel pairs a mature Newman with upstart Tom Cruise. I don't think there'll be many agreeing. Help me out--wasn't this the one Newman won an Oscar for? | 9. Rocky V (1990) Aging, punch-drunk Rocky Balboa discovers he got brain-damage in Rocky IV. It's the Rocky sequel that ends in a street brawl. I didn't like it either. 8. Trail of the Pink Panther (1982) Made more embarrassing by the fact it was done by Peter Sellers post-mortem. Compiled largely by outtakes and stand-ins. Didn't see it, didn't care to. 7. Look Who's Talking Too (1990) Director Amy Heckerling struck paydirt with "Look Who's Talking" (Bruce Willis as baby Mikey--remember?). Not so lucky with John Travolta and Kirstie Alley in this turkey. Saw about half of it on TV. 6. Jaws: The Revenge (1986) Starring Michael Caine. Bruce the shark (or the missus or the first cousin) returns to chew up more of Sheriff Brody's family. Covers amazing ground swimming all the way from New England to the Bahamas. 5. Book of Shadows: Blair Witch 2 (2000) Didn't see this, but heard it was basically "Blair Witch" meets "Scooby Doo" as college kids run around the Maryland countryside trying to recreate the spookiness of "The Blair Witch Project". 4. Caddyshack II (1988) (1988) The original 1980 "Caddyshack" basically reinvigorated the careers of Rodney Dangerfield, Chevy Chase, and particularly, Bill Murray who stole the show as groundskeeper Carl. Jackie Mason starred in the sequel as another businessman. Chevy Chase returned and Dan Ackroyd, too, I believe. Didn't see it, don't even know what it was about. 3. Speed 2: Cruise Control (1997) I did see this turkey and, oh my gawd, was it awful! I see why Keanu Reeves ran as far away as he could, with Sandra Bullock and Willem Dafoe wondering what the hell they pay their agents for. Basically Dafoe is involving this large cruise ship in a jewel heist and it's up to Annie to save the day. Special effects are outstanding, tho. The ending where the ship basically comes into town is amazing. 2. Batman and Robin (1997) Holy suck-ass Batman! This is a spot-on choice for number 2 spot and it is on MY number 2 spot as well (which you'll all read next week) as it totally ground the franchise to a halt and threatened to bury it entirely. I'm sure Clooney regrets screwing with this at all and Joel Schumaker should never be allowed to direct super-hero movies again. And the Number 1 worst movie sequel of all time according to E! Online? 1. Star Wars: Episode 1--The Phantom Menace (1999) Jar Jar Binks. 'Nuff said. |
Cast: Let's get one thing clear right off the bat: I am an unshakable fan of the original "Planet of the Apes" from 1968 on. I loved all 5 movies, i.e., the original, plus 4 sequels. I loved the live-action TV show from 1975 and I loved the Saturday morning cartoon. I think I even have some of those Marvel magazine comic adaptations that came out later. HOWEVER...I am also a fan of director Tim Burton---for the most part.
So going into this with all the above-mentioned emotional baggage was not so hard---I expected great things from this movie (and maestro special-effects make-up ape specialist Rick Baker) and for the most part I was not disappointed.
The year is 2029 and a deep-space laboratory from Earth is experimenting with sending genetically-enhanced chimps into the void as some sort of proto-astronaut or probe (or "canary", depending on the hazard). Astronaut/researcher Leo Davidson (Mark Wahlberg) is especially sympathetic to the animal's plight. On an ill-advised mission to check out a black-hole electromagnetic storm (or something like that), his personal favorite chimp, Pericles, becomes lost in space.
Against orders, Davidson steals a shuttle-pod and takes off to find his chimp. Both he and the chimp get caught up in the black space storm and now both are lost. As Davidson continues to maneuver through the hole, he is suddenly catapulted out and toward the surface of an alien planet he must crash-land on. Before long, he realizes he is on a planet where apes rule and humans are slaves. In a scene reminiscent of the original movie, he is captured for sale along with some other humans.
Soon after, we meet Ari (Helena Bonham Carter) a very human-looking ape female whose father is a high-ranking official, Senator Sandar (David Warner). Ari is a sort of human-rights activist (snicker) who finds human slavery barbaric and seeks its elimination. The slave trader she argues with is Limbo, (a delightful turn by Paul Giamatti) who struck me as the movie's "cowardly lion", and provides much comic relief. Major hostile attitude, however, is provided by Thade (Tim Roth) the chimpanzee ape leader (it
has been explained to me that in the animal kingdom, chimps are actually much more agressive than gorillas--go figure). Thade hates humans with a passion and kills them every chance he gets. Interestingly, he and Ari are, or were, lovers. They could not be any more opposite.
The movie is very high-action. Unlike the original movie, where great emphasis was put on social philosophy, about the only social-relevance talk we're exposed to here is over a formal dinner where Ari pitches her case for human liberty to her Senator father and Thade snorts his rebuttles. Davidson, a "waiter" at this ocassion, frustrated and desperate, makes his move---which sets up the rest of the movie.
The gorillas are definitely the warriors at the chimps' disposal. The two main "generals", Attar (Michael Clarke Duncan) and Krull (Cary-Hiroyuki Tagawa) find themselves deeply conflicted by the turn of events which threaten a confrontation. The humans and the apes move toward their inevitable showdown.
While all performances are great, the monkey make-up steals the show. This is going to be, I believe, Rick Baker's 7th Oscar win. The Thade make-up, in particular, is outstanding. Each make-up was tailor-made for each actor. About the only problem I had was Helena Bonham Carter's "Ari" face being too human-looking (and she was too human-acting), but I blame that on Burton. I think he wanted to encourage a pseudo-romance between her and Wahlberg without overt bestiality overtones.
I also deduct points from Burton for making Tim Roth constantly look out from under his chimp eyebrows and snort/rasp his dialogue. It was so severe, on many ocassions I couldn't understand what he was saying.
Kris Kristofferson plays the human father of one of the women Davidson tries to rescue. Estella Warren and Burton regular, Lisa Marie, play savage-but-sexy human women. There's a nifty cameo by Charleton Heston as Thade's dying father. In one of two scenes quoting lines from the original movie, he, appropriately, handles one of them.
Chicago Sun-Times movie critic Roger Ebert thought Mark Wahlerg "too green", i.e., too immature, to properly convey leadership qualities and thought the role should have gone to someone like George Clooney. I disagree. I actually was prepared to hate Wahlberg in the role, but he won me over. He's no Charleton Heston (who is?), but his high-school-football-captain-jock-turned-astronaut was appropriate for this "re-imagined" movie.
With Danny Elfman's music pumping in the background, terrific art direction (I love Ape City!), innovative soundstage work (Burton's specialty), superior special-effects make-up, and energized performances, I can heartily recommend "Planet of the Apes". About the "surprise ending", I'll only say this: put me down for a "confused and disappointed vote"---it was a lame way to hint at a sequel, and one which made no sense to me. But, see what you think.
THE REAL DEAL In 1956 a judge found Ed to be insane (no kidding, really?!) and sent him a
state hospital were he stayed for ten years. The end result is that you now have a lame movie of a guy who kills people
because he can't adjust to life due to his troubled past. It showed a few gross
objects, souvenirs, and projects made from corpses, but for the most part, basically rushed past
the true horror that was Ed Gein. It felt like a made-for-TV, after-school
special, with additional semi-decent gore effects and REALLY bad acting
throughout. ©2001 Michael Scott
The Deadguy's Dementia header graphic is a creation of Michael Scott
IT'S ELECTRIC! GEORGE HARRISON "SMITH"SONIAN FANTASY FOOTBALL Till next time,
Hello gang! Shall we begin?
MARKY MARK AND THE MONKEY BUNCH IT WAS 20 YEARS AGO TODAY EXQUISE ME? BAKING POWDER? ANOTHER FREE BIRD GO HUSKIES Have a great week!
LOCAL TELEVISION FROM THE 70's AND 80's IN TAMPA by William Moriaty
This week: "BIG 13" WTVT
Starting at a tender young age in life I had a very close, cozy, and compulsive relationship with the one-eyed orb known as television. Glued, stewed, and subdued, I stared to the point of corneal meltdown at that boob tube watching childhood favorites, "Gilligan's Island", "Flipper", "Get Smart", "Batman", "the Addams Family", ""the Twilight Zone","Jonny Quest", and a million other wonderful shows aimed at our beloved, bellicose baby-booming brains. Even as a crumb-crunching yard ape, I had a fascination with LOCAL television-- the LOCAL news, weather and sports, the LOCAL afternoon cartoon cavalcade, and the LOCAL weekend fright-night creepshow. My mother's being the first woman to sell TV and radio time in the states of Michigan and Florida only heightened this early obsession (then along came wine, women, and song-- NOT!)
I will readily and proudly admit that of all the local TV markets that I scrutinized from elementary to high school (Detroit, Flint, Saginaw, Cincinnati, Washington D.C. (WTTG was great), Dayton, Huntington, Miami, and TAM-PAH (where the good life gets better every day!), none were better than-- you guessed it, TAM-PAH! So come along with me as we delve into the LOCAL TV staple, which comes on around suppertime known as (Class, anyone? Bueller?)...
THE NEWS!
WTVT, "Big 13': This station was the undisputed news ratings giant in this market. Originally a CBS affiliate, "Big 13''s" local draw was its innovative color, and later, color Doppler weather radar, and its exceptionally professional newscast known as "Pulse". Having not seen a newscast anywhere else in my travels called "Pulse", "Big 13" therefore most respectfully earned its place in "La Floridiana" lore.
"Pulse" was anchored for years by the dashing and debonair Hugh Smith. Boyish (at that time) Andy Hardy brought the sports reports, and the pious, humble, and dapper Roy Leep brought us one of the finest LOCAL weather features in the United States. Stoic, stodgy, and stone-faced Ray Dantzler ended the 6 P.M. edition with an editorial in the finest tradition of Roger Pierpoint or Edward R. Morrow.
The seriousness of the newscast was lightened by the affable "Salty" Sol Fleischman. Fleischman, a local celebrity for decades, presented a wonderful feature called "Where Am I?". In it, "Salty" Sol would show video of one of his favorite fishin' holes and challenge you, the audience, to guess where it was. For those who responded correctly, the station would issue a cash prize, or fishing gear. A boat ramp in "Salty" Sol's honor is at the east end of Gandy Bridge in Tampa--visit it one day in his memory.
The Eighties and the Two Kellys: By the early 80's tag team boy/girl news anchoring stepped into vogue. To change with the times "Big 13" introduced Kelly Craig and Kelly Ring. Ms. Ring is still a primary news anchor along with John "and that, my friends, is illegal/my view" Wilson. Kelly Craig had a much shorter duration, however, leaving "Big 13" by the late 80's to the Miami market where she still anchors.
Other News Features: The early morning news came in the form of a country variety-show called "The Ernie Lee Show". Aimed at farming communities within the "Big 13" signal, " Ernie Lee" featured the music of this Cincinnati country artist, while farm futures were delivered by the amiable good ol' boy, Bruce Hutchcraft. More news immediately followed with "Breakfast Beat", while the noon-time news feature, "Pulse Plus" was hosted by WFLA radio illuminary "Jocular" Jack Harris (remind me to tell you about the time I was on that show). Lastly, a charming Charles Kuralt-like roadside human feature series (remind you to tell about when I was on that, too!) known as "Larry Elliston's Florida" ran throughout the majority of the 80's. Other "Big 13" names worth remembering from those decades include Paul Hoffman, Deanna Lawrence, and Leslie Spencer.
The Slow Demise of "Big 13" As I Knew It: Maybe it was an omen when my cousin, David Markwood, a studio engineer, left the station in 1988 after a 15-year stint, but trouble began brewing in the "Pulse" paradise not long after their "Taj Mahal" building was erected. Veteran stalwart steward of the square-jawed news anchors, Hugh Smith, suffered from a "Pulse" pique of promiscuity and was popped by the po-lice for prostitution in the late 80's. Sadly, even after a public apology during a newscast shortly thereafter, Smith was arrested a second time for the same charge which effectively ended his career with "Big 13" and television in general. With the changing of broadcast affiliates from CBS to Fox in the mid 90s, "Pulse" quickly went from a highly-polished and professional newscast to an almost satirical sensationalistic side show shadow of its former self, now known as "Fox 13 News". Former WTSP anchor Don Wilson camped up the news anchor position with his wooden "hip to be square" deliveries which added to this declination and assured rival WFLA News Channel 8 a shot at #1 by the end of the 90s. The "Big 13" news dynasty was dead, no longer having a "Pulse".
Next Week: WFLA (WXFL 1983-1989) "Newschannel 8" and WTSP (WLCY 1977 and before) "Action 10 News".
Cont'd from last week....Florida Folk Heroes--Addendum #1: Jackie Gleason, Cannonball Adderly, Marjory Stoneman Douglas, Eddie Rickenbacker, Arthur Godfrey, Frank Borman, Molly Hatchet, 38 Special, and Rossington-Collins. ---Will
"Pulse pique of promiscuity"....LOL! You SLAY me. Other notable luminaries of the '70s I can recall who haunted the halls of Pulse 13 were: Scott Schuster, who hosted the noon show along with the late Bruce Hutchcraft; their chemistry was very Abbott and Costello-like! And the lovely and talented Pat Colmanares, still active in public life, was the late-in-the-hour interviewer and would frequently sing a torch number (!) before the show was over. You just don't see that anymore. ---Nolan
La Floridian header graphic by Nolan B. Canova and Will Moriaty
Planet of the Apes Movie review by Nolan B. Canova
* * * ¼ out of * * * * stars
Special Make-up Effects: Rick Baker
Director: Tim Burton
Running Time: 119 minutes
Rated: PG-13 for intense action/violence
THE "SURPRISE ENDING" IS NOT REVEALED IN THIS REVIEW.
"ED GEIN"....the DVD (straight-to-video movie) review and the true story of the original PSYCHO
ED GEIN
I've been anxiously awaiting this movie since I announced it in an earlier
PCR article a couple of months ago. I was expecting to see it arrive in the
theaters, full of fanfare and hype. However, I just happened to wander into
a Blockbuster video last night and saw a single copy NEAR the "New Release"
shelves. I looked at it, blinked a few times, and then checked it. Sure
enough, it was the movie I'd been waiting for.
I watched the movie the other night on DVD, and I think I can pretty much sum up
my reaction to it in three words: "Next movie please."
I got the DVD version, and the only extra features were an option to show
the Spanish Captioning, and the movie trailer. They didn't even offer scene
selection, which was a first for me. When I saw that, and noted the crappy
trailer, I knew I was going to be in trouble with this piece of crap. I
should have stuck with the movie's website, it's definitely more mood-
setting than the movie itself.
The movie was ALMOST an absolute waste of time. I say ALMOST, because,
well, it IS a movie about Ed Gein, and you can only go "so" wrong with that.
The character of Ed Gein was well-played, but poorly-conceived. This
character reminded me of a Forrest Gump gone horribly, horribly wrong. The
movie was based on SELECTED true events from the life of Ed Gein, but I feel
that in an attempt to make you feel sorry for Ed, they suppressed additional
aspects of his life, and altered his personal character to something weaker
that you could take pity on. They showed Ed feeling remorse, and being upset
over situations he created. This is actually impossible for a psychopath,
which is what he was clinically determined to be.
A psychopath doesn't feel remorse; he simply reacts to his environment in a
very methodical way based on their concept of what is "correct". Very
similar to a person that justifies everything they do, regardless of who, or
what, is hurt. They themselves are incapable of feelings for others beyond
superficial imitations that they might use in order to attempt to fit in.
The closest thing to remorse that is possible for a psychopath to experience
would be something like: "Damn, I tore off his face with the crowbar but I
think his nose is too damaged for that mobile I'm working on. Perhaps I
should have shot him in the chest, and used a skinning knife instead. That
way he wouldn't have moved around so much."
Why try to do a "Real Life Story" if you don't at least attempt to tell the
WHOLE story, and/or at least ATTEMPT to portray the character in a realistic
manner?
What follows is a look at the real Ed Gein versus the movie "Ed Gein." It's
a super-spoiler if you don't know anything about Ed Gein and want to see the
movie. If you know Ed Gein's story already, then none of this will be
especially new to you, and you already know what to expect, so this won't
spoil too much.
Ed Gein was a real person, a certified psychopath, that took bodies from an
estimated nine or ten graves and used their body parts to make clothing,
furniture, and even used their severed skullcaps to serve as bowls for
himself. He made 4 separate hanging mobiles constructed from noses,
lips, and labia. He made a belt for himself that he wore around the house
that consisted solely of nipples. He even had skulls on each of his
bedposts.
He sometimes removed the entire corpse, other times, he settled for merely
body parts. On occasion he'd return the bodies intact, for no discernible
reason, though Ed, himself, claims that there were very few of these. Human
skin was used to make lampshades, wrap trash baskets, and as upholstery for
chairs. The skin that was in better condition (from more recently interred
corpses) was used to make a body suit for himself, complete with face,
breasts and female genitilia.
In his earlier years he fantasized about being transformed into a woman, and
through this body suit, he felt that he could achieve a temper sense of
womanhood. This suit was often worn in a ceremonial fashion to dance under
the moon, in his attempt to imitate some of the tribal rituals he'd read
about in books on cannibalism and head-hunting. It was believed that some
of this ritualism was intended to be a part of a resurrection ceremony he
wanted to use on his deceased mother, but to my knowledge, this was never
confirmed. The movie touched on this by showing Ed coming out of his house
wearing the suit, then he'd wiggled around a little bit and went back inside.
Hardly the same thing.
The movie touched upon the fact he wanted to resurrect his mom, and indeed,
tried to resurrect a couple of bodies, but the movie leads you to believe he
simply tried to say a few incantations, and that's all. It doesn't give you
any indication that this was a consuming desire of his. It showed him doing
incantations over two bodies, and then when they failed, he'd shrug, put on
his leather (butcher's) apron, pull out a book on anatomy, and then the
scene would change.
In the early days, Ed had an assistant named Gus. Gus was a simple-minded
neighbor who had apparently been coerced by Ed to help him get these
bodies. When Gus died (I don't know how), Ed continued his nightly raids at
the three local cemeteries on his own. To me, the sheer fact that he
convinced even a retarded man to assist him, tells me that Ed, although
definitely warped, was not the stupid, nor the sniveling incompetent
mentally-challenged individual that this movie portrayed him to be. I've
worked with the mentally-challenged before, and I can tell you with absolute
certainty that convincing them to do things is NOT a task that is easily
done, nor could be done by someone who is also mentally handicapped. The
move predictably omitted all reference to Gus, likely due to the fact that
the Ed character in the movie couldn't have coerced ANYONE into doing
ANYTHING.
When the lure of digging up bodies began to fade, Ed upped the stakes by
killing people and at least partially eating them. Just to show how twisted
he was, he even took their meat to the house of a friend to share it with
them, claiming it was deer meat from a deer he caught, while making jokes
about the victims.
This was represented in the film by Ed Gein trying to confide in a drinking
buddy of his about the murders he'd committed. The friend thought Ed was
telling a joke, and laughed. Ed enjoyed creating the laughter so much that
he told the story again to another woman to get the same response, but was
left upset, and confused, when the woman didn't find it funny.
Later in the
film he was shown bringing meat to his friend's house, and eating it with
them. Ok, that's close I suppose, and possibly close enough, but it's
misrepresenting Ed, by distancing the events.
He "spoke" with his dead mother on a regular basis, and was convinced that
she wanted him to kill people as punishment for their "risqué" behavior, as
a tool of God's will. This was included in the film as a series of
hallucinations. It's definitely close, and at least fairly realistic, but
not portrayed NEARLY as well as it was shown in the "Psycho" movie series.
The only thing I appreciated about it was that as a true psychotic, Ed never
would have screamed in rage at his mom like the Psycho character, because he
would have been incapable of feeling the necessary emotions required to do
so.
He was eventually caught and charged with killing one local woman, and when
the police went to his house to look around, they found evidence of
cannibalism, and found two sets of "fresh" female genitilia that were taken
from women that were never identified nor their bodies ever found (unless
you count some of his skin lampshades, or assorted furniture). The women
have since been tentatively identified, but there is apparently no way to
confirm it, even though the car of one of the women was found on Ed's
property, and the murder scene of the other victim matched the scenes of
Ed's known victims.
They also counted ten skins removed from skulls, located inside a single
drum, and several others scattered about the house.
The victim that Ed was charged with killing, was found in the basement;
headless, strung upside-down, and gutted, similar to the treatment of
bleeding a deer carcass in preparation for cutting it into edible portions.
Her heart was found in a saucepan on his stove, and her head had been turned
into a macabre ornament suspended from the ceiling by twine that was tied to
nails driven into her ears.
No one knows for certain how many people he killed, possibly because of the
fact that he had so many body parts from the local cemetery. As noted
earlier, it is believed that he robbed nine or ten graves, and some of those
bodies were returned completely intact.
He is believed to have only killed 4 people, but in case no one else is
keeping track: ten complete faces, 4 mobiles made of noses/lips, a skin suit
mask, and his last victim's head was turned into a hanging ornament. These
items seem to me, to indicate that there were more than just 4 murders
involved here. Ten complete faces couldn't have ALL been from the graves,
because there were bodies that were returned intact. Lets say that 7 faces
came from that, Where did the noses and lips come from for his 4 mobiles?
What about the face used for his skinsuit? At that time, forensic science
wasn't very thorough, and DNA testing wasn't used. Although an effort was
made to determine how many bodies were present, it's readily apparent that
they were guessing, rather than scientifically determining how many
different people were involved.
Ed willingly confessed to several murders and grave robberies, and when his
stay at the hospital was completed, Ed was ordered up for trial for the
single murder he was picked up for. He was found innocent by reason of
insanity, by the judge, and released back to his hometown, where he died 20
years later. (So in other words, if you're going to kill, do it in a big
huge glorious macabre spectacle, and they'll let you off easy.) In the
movie, it mentions his stay in the hospital, and then says that he died of a
stroke. No reference to the actual charge against him, or the fact that he
was released, because of course, you can't feel sorry for a guy that kills
without penalty.
The judge suspected that Ed also played a role in his brother's death in a
brush fire, but there were no clues to support this (I don't know if Ed
confessed to this, or not). There were also two missing hunters that had
died after hiring Ed to be their hunting guide (apparently, Ed was mentally
capable enough to be selected for this job). One hunter's jacket was found
just outside of town, and although Gein claimed to know where the body was,
he claimed that the death was caused by a neighbor. Police never
followed up on the case!?
The Ed Gein in this movie however was basically a partially mentally
challenged individual growing up in an abusive household, who then found
himself unable to properly cope with the loss of his mother. The story
itself omitted most of the stuff that made this man so scary.
(Sure, the main elements of his insanity were touched upon, but most were not
portrayed in a manner that's consistent with the surrounding elements. For
example, the "skinsuit" scene. He's out there for about 5 seconds, and then
wanders back into his house. No ritual.)
It also shows him killing his brother in defense of his mother's "good
name." Ed asks, "Why would you talk about her like that?" and then he clubs
him with the butt of his gun and set's fire to the body. Later in the movie,
he is haunted by this event, and very upset and remorseful. Again, this is
NOT how a psychopath acts.
No mention was made of the hunters that hired him either, omitted probably
to avoid audience confusion as to the hunters' motive in hiring what was supposed to be at least
partially retarded man.
The only redeeming item in the whole thing was a lamp constructed out of a
spinal column that I'm considering imitating in plastic, and a few other
corpse gore scenes.
Matt's Rail by Matt Drinnenberg
Greetings one and all.
I was very excited to learn that Electric Light
Orchestra has started to tour in support of their
newest release, "ZOOM". From what I understand, the
only original member of ELO is Jeff Lynn, but hey, ELO
IS JEFF LYNN!!!
Naturally, I got tickets the moment they went on sale.
When they do "Mr Blue Sky" I'll be sure to sing along
for Scott (G.) and Mike.
The things you learn reading Pop Culture. I was
TOTALLY under the impression [George] Harrison had only weeks
to live. Let's hope Ringo wasn't merely extending true
friendship to George by not divulging the sad truth, if
it is.
Congrats to Phillip Smith on his studly performance in
making two difficult catches in the outfield in the
zone championship. And, Happy Birthday!
I'm sure some of our readers (and writers) know of
Fantasy Football. They thereby know that the season
will quickly be upon us, meaning that leagues across
the land pooling their picks, so each "owner" will
know when he selects his first pick. My league has
recently done this, and I'm ecstatic to report I've
landed the #1 pick, meaning I will get the
end-all-be-all of fantasy football---Marshall Faulk of
the Rams.
I know that Mike also has a love for fantasy football,
and a few years ago, we went head-to-head. I don't
remember what the bet was for, but I do believe I
recall he whipped me soundly. Hate to admit it, but
I'm a "truth" guy. I also don't think we ever settled
the bet, now that I think about it. So Mike, I guess I
owe you. I just don't remember what!
Anyways, I thought it would be fun for Mike and I to
"do it again" and go mano y mano. I'll be getting with
Mr.Smith to solidify the competition....if he isn't
"SCARED", that is.
Take care and God Bless,
Matt
How about those Apes? I must admit that I came out of the movie hating it! I think I may have expected too much. However, after a second viewing (when you get to see movies for free you tend to abuse the privilege) I started to warm to it. Like Nolan, I didn't expect much out of Mark Wahlberg, but, like he did in "Boogie Nights" and "Three Kings," he continues to surprise me. The incorporating of some classic lines from the original was witty and how ironic is it that Charlton Heston is the only ape on the planet who owns a gun? (LOL!! That's right!---N) If you see it again, look for Linda Harrison (who played Nova in the original) in a few brief scenes. When the original "Apes" film was made, she was married to producer Richard Zanuck, which I'm sure helped her get the part. Now that I think of it, she was also "David's" mother in "Cocoon," also produced by Zanuck. There is a great story about how Zanuck promised the role of Ellen Brody in "Jaws" to his wife. Unfortunately, he was trumped by the head of Universal Studios, Sid Sheinberg, who had promised the role to HIS wife, Lorraine Gary. The story goes that when Zanuck told Sheinberg how disappointed Harrison would be, Sheinberg picked up the phone and called the producer of the then in production "Airport 1975." "Fred," Sheinberg said into the phone, "you've got another passenger on your plane." A lucky break for Harrison, who was spared the humiliation of "Jaws the Revenge," which, believe me, will be high on my list of worse sequels ever!
On August 1, 1981, an upstart cable station calling itself MTV hit the airwaves. It's first video: "Video Killed The Radio Star" by The Bugles. Over the next two decades, the station would make stars out of such bands as A-ha, Duran-Duran and the ever-popular Milli Vanilli. The music video gave such burgeoning filmmakers such as Russell Mulcahy and David Fincher their start. Other personal MTV faves include "Beavis and Butthead," the complete broadcast of "Live Aid" and the debut of Michael Jackson's "Thriller" video, which I remember most for airing the same day I opened my movie poster store in Tampa. On the negative side, MTV has also exposed the world to Nina Blackwood, Tom Green and "Jackass."
Not since the much-discussed Matt and Mike debacle entitled "50%? I said 15%" has conjective hearing been a problem. This past week, a waitress at a Panama City, Florida "Hooters" restaurant filed suit against the company for breach of contract and fraudulent misrepresentation. According to Jodee Berry, the restaurant manager challenged the waitress to a contest to see who could sell the most beer in April of this year. The winner, she states, would win a new Toyota. Imagine her surprise, after she was declared the winner, when she was given the keys to a brand new toy Yoda! That's right. Her prize was an action-figure of the wise old Jedi master himself! No word on if the packaging was in mint condition or not. (Yeah, I heard about this. I have to believe there were no printed-out rules-of-play that specified what the prize was and that it was only heard verbally to be a new toy Yoda/Toyota. ---N)
Sad to report the passing of Leon Wilkeson, bass guitarist and one of the founding members of Lynyrd Skynyrd, who passed away from natural causes last Friday. Wilkeson, who survived the 1977 plane crash that killed Ronnie Van Zant, Steve Gaines and Cassie Gaines, had suffered from chronic liver and lung disease. If you recall, last month my son and I saw Skynyrd, and Phillip kept pointing out the fact that Wilkeson would have on a different hat for each song. From a cowboy hat to a fireman's helmet, from a beanie with a propeller to a top hat "a la Slash," he kept the crowd entertained.
I am on my way this weekend to Great Bend, Kansas, where the American Legion state tournament will be played. My son Phillip's team, the Lansing Huskies, will compete against seven other teams for the right to represent Kansas in the national tournament. Keep your fingers crossed. I'll have the outcome next week. (We all wish Phillip the best of luck, of course! ---Nolan)